Prairie Quilts & More.......... Cathy Grafton

The "Chalice Well" Quilt
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This was a very special quilt to make..........

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A strangely colorful picture that somehow came out of this design. The central motif or "Mandorla" is a very strong symbol of healing & life. 
And here is the story:  Sometime in 1996 I saw a black and while photo of the cover of the Chalice Well in Glastonbury, Englad. It called out "quilt" to me, there were flowers, vines, leaves and circles within circles all done in exquisite wrought iron work. I began to look for information on the design of this piece found that it had been designed in 1919 by F. Bligh Bond a scholar & historian doing research at the Abbey ruins in Glastonbury.
 
The overlapping circular designs formed a "vesica picis" or mandorla, the pointed oval shape which became the early Christain fish and has long been a symbol of healing.  The mandorla is in turn encompassed within a lager circle filled with the floral designs that so intrigued me when I first saw the picture.  I used golden batik fabrics with fish for my background design -- when I finally saw the well cover in person the oak wood showed that same golden color.  I used applique and lots of silk ribbon embroidery to create the floral and vine designs within the circles.  I began to make the center of the quilt and took it along on a visit to England where I wanted to compare it to the original well cover.
 
The first border was inspired by the stone ruins I saw at Glastonbury Abbey when I visited there.  Repeated zigzags were everywhere and this motif brings life and energy to the quilt.  The white flowers echo the central design and repeat the idea of hearling again through the restorative & purifying power contained in the color white.
 
The outer border was an idea some time in finding me. Thumbing through a magazine I saw a picture of an illunimated manuscript from early monastic writing and immediately knew this was the final idea I needed to finish the quilt.  This hand appliqued border has strips of fabric overlaid with vines and flowers done in the stylized manner of the middle ages.  Again, I used silk ribbon to embellish the vines and flowers that encircle the quilt.  This quilt took me four years to make and I love the theme of peace and healing that it represents.
 
Dame Julian of Norwich, a 13th Century English Mystic wrote a small prayer which I think of when I see this quilt.  "All shall be well, and all shall be well , and all manner of things shall be well."
 
This quilt is for sale!  I would love to have it go somewhere associated with healing.  I believe that it could be an inspiration to those who want and need encouragement of some sort.  This quilt was definitely created for that purpose.
 
If you have ideas of a place for it, please contact me.

Beannacht
Cathy
 

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Detail of a corner flower

The Chalice Well
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This quilts is for sale/please contact me for details

A trip to England which helped with the creation of this quilt.

I began this trip in chaos.  Besides my trip to Glastonbury I had planned to visit a quilt show called "North Country Quilts" at the Bowes Museum, Barnard Castle in the Yorkshire counrtryside.  England had terrible floods that year and along with that many of the train tracks were in terrible condition.  Trains were going very slowly over some grades and because of the floods I found I could not head North and decided to visit Glastonbury first.  After two days there I was almost ready to give up on getting to Yorkshire.  However my B & B host, Adrian mapped out a circuitous route that took me through the Lake District to Carlisle and then east to Newcastle. From there I was able to get down to the show with Dorothy Osler the organizer of this wonderful exhibit.
 
The day was quite exciting as quilters from many parts of Englad were coming to see the show and I was invited to join them for the day.  Dorothy gave a lecture and there were reporters there from the newspaper.  Someone ended up naming me "intrepid traveler" for making it to the show, as many from Londan had not been able to get there at all. 
 
It was a lovely day and a special treat was to see the life sized mechanical silver swan in the main hall come to life.  It is wound up several times a day, then comes to life by turning its head, preening its silver feathers, looking down to see small fish which it then gulps up and swallows before settling back into the familiar swan pose.
  More about my trip to England -- under construction 

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Dorothy Osler wrote the catalog book for the "North Country Quilts" exhibition that I also went to on this trip to England.  It details some of the styles that developed in the north of England from the 18th century to modern day and also highlights some of the long time quilt makers of that area. 

Reenactors are people who never tired of playing dress-up!